was famed for his wide-ranging sets encompassing moods and emotions more nuanced than total euphoria. Matching the introspection of much of Random Access Memories, disco’s most legendary D.J. Larry Levan, Classic West End Records Remixes Made Famous at the Paradise Garage (West End, 1999) Studious drummers boast of being able to play along with it in sync, and the gleaming, vacuum-sealed sound plays as if summoned from a studio filled with air comprised of elements much cleaner and more pristine than oxygen and CO2.Ħ. Ruthless studio efficiency taken to decadent extremes has found no fuller form than Steely Dan’s Aja, which stands as a model of almost martial adherence to the groove. Surely you don’t need an introduction to this, but in terms of Daft Punk, listen back to its restraint for all the expansive disco swoon, Off the Wall is a sharp, lithe, focused affair as notable for what it avoids as for what it adds. Michael Jackson, Off the Wall (Epic, 1979)Ībout half the tracks on Random Access Memories feature meaty, metronomic drums by John “JR” Robinson, a storied session dude who identifies as “the most recorded drummer in history” and includes among his credits Michael Jackson’s best album. The synth riffs are all remarkably tidy and tight, with a sustained sense of speed throughout, and it’s easy to imagine Daft Punk deriving much of their recent state of mind from the ever-evocative song “Lost Angeles.”Ĥ. The Italian super-producer expanded on the all-electronic disco he more or less invented for “I Feel Love” on this full-length album that sounds startling still. Giorgio Moroder, From Here to Eternity (Casablanca, 1977) Onward to the future, the epochal finale “I Feel Love” featured out-there synthesizer sounds and sleek electronic drum programming from producer - and eventual Daft Punk muse - Giorgio Moroder.ģ. The disco diva did some postmodern time-traveling of her own on I Remember Yesterday, which mixed classic disco with vintage signifiers ranging from the big-band twenties to the girl-group sixties. D onna Summer, I Remember Yesterday (Casablanca, 1977) See, especially, the rhapsodic anthem “Le Freak” and the glamorous, amorous pining in “I Want Your Love.”Ģ. Mixing funk density with the weightlessness of a blown kiss, Rodgers’s rhythm guitar in “Get Lucky” and a couple other standouts is a shameless reproduction of early Chic. Random Access Memories would be unthinkable without the presence of Nile Rodgers - as would, come to think of it, much of disco. So, if you find yourself inspired by Daft Punk to spend the summer gazing at the ocean in a pair of pressed white linen pants and Wayfarers while sipping a piña colada and listening to spaced-out soft disco and Christopher Cross, here are 30 albums that probably helped inspire Random Access Memories. But the album has been getting mostly great reviews since then, and looks set to sell big. The initial reaction to Daft Punk’s hugely anticipated Random Access Memories was slightly shocked, as eager fans realized that, far from the set of summer-dance anthems promised by the first single “Get Lucky,” it’s actually an eccentric reimagining of retro sounds often deemed beyond good taste: yacht rock, Euro-disco, jazz fusion, Broadway-musical piano ballads.
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